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FROM THE MOON TO THE SUN
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WINGER IV
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DEMO ANTHOLOGY
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LIVE CD
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LIVE DVD
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THE MAKING OF PULL
DVD
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THE MAKING OF IV DVD
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Review - Kip Winger’s “From the Moon to the Sun”
Release Date: May 9, 2008
Frontiers Records
By:
Deeandra
(Kip Winger Rocks Tribute Site)
The long awaited, and highly anticipated, new CD by Kip Winger, From the
Moon to the Sun, is more than any listener could ever imagine. It’s not
a CD you can simply listen to a couple of times…..the artistry this
album offers, challenges your mind, spirit and soul and piques your
senses to really delve in and explore the depths of what this record has
to offer. From hard driving rock, heartfelt ballads, inspiring pop to a
beautiful classical composition….this album truly has it all. Each song
is laced with uninhibited experimentation and from the first track, you
quickly find yourself at one with the music. Addiction at its finest…..
This album takes you on an emotional journey that will rock your world,
soothe your soul, shatter your heart, mend your spirit, invoke angst and
provoke your passions, yet, when the journey ends, you have an
overwhelming sense that you have been gently carried to paradise and
back….it sates your senses beyond your wildest imagination. It’s THAT
heavy and, it’s a welcome invitation, to not only hear a stellar work of
art, but to experience it as well. That is what you will find with this
album. It definitely is a journey “From the Moon to the Sun” as the
title suggests.
Kip Winger’s growth as an artist over the years is quite evident…..just
when you think you've heard the best from him, he finds a way to, yet
again, enslave your senses, blow your mind and leave you
speechless….only this time, it’s more intense. This album has so much to
offer, not only musically, but lyrically too which is defined by the
depth, creativity and passion throughout each song. Not to mention the
diversity. It's so powerful, in so many ways....it's indescribable.
There is so much to absorb, delve into and feel.
Kip Winger is no ordinary artist. Mostly known for the rock genre, this
album proves there is so much more to him than simply being a musician
trapped by the restraints of his past…he’s an artist who has stayed true
to himself, setting no limits, and no boundaries, to his experimentation
and growth in music. He has stepped beyond the realm of the genre he’s
known for and branched out to reach new heights in music…..A commendable
feat which commands respect and admiration (regardless of a listener‘s
preference of music). You won’t find many artists who would do this….or
could do this, but Kip Winger can….and has.
I have often said that if anyone was born to create music, it is
him…..his music stands the test of time and his longevity is here to
stay. He has shed his restraints, gone beyond the limits, made his mark,
and his path is clearly etched in music . He is seemingly on a
never-ending journey to experiment, learn and grow and his fans, no
doubt, will be along for the ride, supporting his endeavors and
celebrating the magic of his music for a long time to come.
Kip Winger….an Artist who dares to be different……
Official Website:
http://www.kipwinger.com
Official MySpace:
http://www.myspace.com/kipwingermusic
Official EterniaNow:
http://www.eternianow.com/kipwinger
To purchase “From the Moon to the Sun”
Kip Winger Official
WebStore -
http://www.kipwinger.com
USA - http://www.NEHRecords.com
Intl - http://www.Frontiers.it
Japan -
http://www.cdjapan.co.jp
Tribute Site -
http://www.KipWingerRocks.com

April 15, 2008 - Rory Sullivan - AllAbout Guitar
Kip Winger 'From The Moon To The Sun'
Release: 9th May 2008
Style: Advanced.
For Fans Of...
Winger
Peter Gabriel
Sting
Elbow
AOG User Rating 5 Stars!
It’s hard to know where to start with Kip Winger. It’s like trying to
preach to the deaf. Either you are fully aware of this man’s
extraordinary talent or you are not. I don’t like to use the word genius
loosely, but there you have it, I just have.
Most songwriters dry up by the time they are 30, whereas Kip Winger
continues to produce and compose so much high calibre music it’s
uncanny. I always worry that he will run out of any decent material for
his own solo work, but I can assure you that, once again he hasn’t.
His latest epic ‘From The Moon To The Sun’ is possibly his greatest
effort so far, which in itself is achievement, as his own standards are
impossibly high in the first instance. Anyway, let’s cut the waffle and
sum this wonder up.
Overview!
The general balance and atmosphere of ‘From The Moon…’ is very
reminiscent of his previous solo albums. A highly textured, harmonious
tapestry of sounds and influences from his own pop/rock sensibilities to
Middle Eastern flavours as heard in the opening ‘Every Story Told’ with
it’s string surges and a lively Andy Timmons’ solo, to the instrumental
‘Ghosts’, conjuring up imagery of Ingmar Bergman movies and Prokofiev
soundtracks. Whereas the massive ‘Nothing’ would fit neatly into the
Winger IV album.
There are no standout tracks in reality. At first I noticed ‘Pages and
Pages’ with it’s lush balladry and beautiful outro: trickles of piano,
swaying strings and sensitive rhythm. Then maybe the vocally epic ‘In
Yours Eyes Another Life’. But soon it dawned on me that the whole album
is blessed.
‘Where Will You Go’ is another beautiful performed and recorded ballad.
‘California’ echos his earlier solo work, with a floating pace,
smothered in light pianos and Andy Timmons sensitive fretwork. Lush.
The reaction to these soundscapes, almost Gabrielesque at times, are
some uptempo numbers like ‘What We Are’, ‘One Big Game’ and ‘Reason To
believe’ which display some harder overtones but are still elevated.
Conclusion
You need time and space to absorb and consider music of this quality and
depth. For this very reason, I fear that Kip’s days of commercial
success will remain undeservedly in the past.
In his own word’s “I worked hard to make this record my best yet.” So
there you have it, Kip Winger is not only a genius but a man of his
word.
http://www.alloutguitar.com/review/album/kip_winger_039from_the_moon_the_sun039

February 1, 2009
http://www.bellaonline.com/articles/art60638.asp
CD Review By Morley Seaver
CD review - Kip Winger - From the Moon to the Sun
This is one of the most difficult reviews I’ve
ever had to do. You see, the latest solo record by Kip Winger is
absolutely, positively one of the most gorgeous, phenomenal collections
of music I’ve ever heard. How do you describe perfection? Go on…you try
it! OK, I’m going to try to summon up all the adjectives and metaphors I
can and give it a go.
For some inexplicable reason, I never got into Winger in the ‘80s/‘90s,
(my loss) and it wasn’t until 2006’s Winger IV that I got to hear
the band. That record kicked me square in the face. Every single track
on that disc would be another band’s best song and the highlights were a
plenty! It remains among my all-time favorite records.
Following up on the success of that CD, From the Moon to the Sun
continues forging a path of artistic excellence. In short, it is utter
nirvana. I was anxious to hear this because the trailer which previewed
the records had a few totally compelling snippets. The teasers did not
disappoint.
First off, this is not a Winger record. There are some rockin’ moments
but overall this CD travels many miles musically speaking and is not a
typical rock record. Kip partnered with Turkish producer/musician Cenk
Eroglu for a portion of the project but largely the credit for the
record falls on the man himself. Kip produced, engineered and mixed the
record as well as doing bass, guitar, synth, piano and, obviously,
vocals.
You know how some songs are all predicated on that killer guitar riff or
vocal effect? Well, the main building blocks to success with this record
are all based around two main factors --- the superlative songwriting
and the engaging vocals of Kip.
I can never do justice to the songs here but I’ll give it a try.
The opening cut “Every Story Told” confidently strides in and sets the
bar high with a wonderfully crafted vocal delivery and chorus. My
favorite part of the record comes next with “Nothing”. My daughter
remarked that the song was really weird because it was like a bunch of
songs put together that shouldn’t work in reality. However, all the
parts come together like some wicked witches brew and the result is
amazing. The chorus here definitely made my ears have to roll over and
have a cigarette --- simply sublime!!!
Shifting gears dramatically, Kip visits Beatles territory with “Where
Will You Go” and his impassioned vocals are a highlight. “Page and
Pages” is utterly gorgeous…like a cascading waterfall in an exotic
locale or a Christmas-y backdrop with a postcard-worthy snowfall.
The ambitious “Ghosts” is Kip’s foray into orchestral territory and
although it takes the path less trodden, it begins to find favor after
several listens. The dramatic flavor of “In Your Eyes Another Life” is
riveting and the melding of the acoustic parts with the eerie choral
moments bring about a truly harmonious relationship.
“Runaway” and “California” are cut from the same cloth and both are
little bits of perfection. Kip sings the crap out of “Runaway” and the
laid-back West Coast vibe of “California” is exquisite!
We return to the rawk with “What We Are” and “One Big Game” hypnotizes
with its slowly undulating melody. Kip manages to come with another
glorious vocal line in “Why”. Slow and deliberate, this song just slides
along with a grace that is royal-like. “Reason to Believe” is almost
Toto-sounding, with a subtle dynamic hook.
Closing out the record is one phenomenal track that I almost have no
words for. The song “Holy Man” is something of an eulogy to Dimebag
Darrell. With just piano, cello and harp, the song is purely
vocal-driven. The verses are tear-inducing enough but the chorus with
multi-tracked vocals is jaw-dropping. This is simply one of the most
beautiful songs I’ve ever heard.
It’s staggering to think Kip has managed to arrange 13 tracks that are
made of this kind of quality. You just shake your head from beginning to
end as cut after amazing cut flies by. Check out his
MySpace
for a taste test and tell me if I’m wrong. To sum up, this record is
nothing short of phenomenal and Kip Winger is f**kin brilliant!!!

October
27, 2008
http://www.metalexiles.com/main/page_features_r__kip_winger.html
CD review by Jeffrey Easton
Kip Winger - From The Moon To The Sun -
MVD
Kip Winger has seen it all. The storied days of playing bass for the
Alice Cooper band to his amazing heights with his Namesake band Winger.
After his departure from the band of his name he embarked on a solo
career till now has been sadly low key in America where as he has had
attention in Japan and Europe with his solo act. To me, he has now
arrived and it is time for the whole world to take notice. Kip has
dropped a solo record that should be a top 5 hit in America with its
airy rhythms and amazingly smooth vocals. The opening cut is hard to
define with its western type intro and nostalgic lyrics that blend what
is classic Kip and a spate of electronics that goes with an electric
acoustic blend. This should be a number 1 hit, period. If there was a
hook to pull you into an album and through it this is it. Nothing finds
a rougher Kip growling through the lyrics until he hit’s the chorus
where he soars to great heights with his amazing vox. Where Will You Go
is a typical Kip ballad and again deserves to be top 10 in America, in a
perfect world that is. Ghosts is a different song given the fact that it
is an orchestral light piece, just piano, cellos, harp and Bass. It’s a
particularly moving piece and I was not expecting it. Pages And Pages is
almost Beatlesesque in its nature and cruises at a slow to medium pace
and just pulls you in. Do you get the jist of the CD? The vocals, the
melodies and the instrumentation is phenomenal. Almost ghostlike and
very hypnotic! There is not a band song on here and you will rediscover
his talent once again.

November 8, 2008
Review of From the Moon to
the Sun by Bobbie
"From the Moon to the Sun" is the latest solo album from a completely
misunderstood musician from the "hair band/glam band" era of the 80's - Kip
Winger. All of the musicians in the band Winger are critically acclaimed
talents in their own rights and on this album, Kip Winger shows why he is one of
the best.
Musically and lyrically, this is one of Winger's strongest offerings to date.
Many musicians are happy to keep re-creating the same music over and over. In "FTMTTS",
Winger proves that he has not only NOT re-hashed the same old music from his
past, but has moved forward and grown as a musician.
As Winger and his fans are quick to point out, his music is not for the casual
listener. Many will tell you that often it takes five, six, or even ten spins
of his CD's to catch the many levels that he weaves into his musical offerings.
This is part of what makes him such an interesting artist to listen to. Even
after repeated listenings, you continue to discover little nuances to his music
that you had not noticed before.
Running the musical genre gambit from rock (Runaway, What We Are, and One Big
Game) to Middle Eastern/Turkish flavors (Every Story Told, Nothing and Monster –
Bonus track on the European Release from Frontiers Records) to beautiful ballads
(Where Will You Go, Pages and Pages and In Your Eyes Another Life) to a new age
piece (Why) to a classical piece (the first movement of a three piece work
written by Kip titled "Ghosts"), "From the Moon to the Sun" takes the listener
on an auditory journey that will evoke many different emotions. The European
Release of the CD includes a bonus track – "Monster" – which is a remix from
Winger's prior solo release "ThisConversationSeemsLikeADream". The US release
of the CD includes the bonus track "Holy Man" – Kip's tribute to his friend,
Pantera guitarist, "Dimebag" Darrell Abbott.
I would highly recommend this CD to anyone and everyone who not only likes the
Kip Winger of the past (ie: Winger during the 80's), but who also can truly
appreciate the musician that he has evolved into.
Bobbie (KipWinger.com Member)

July
29, 2008
Review by Damien DeSimone - Music Writer
Kip Winger - "From The Moon To The Sun" (CD Review)
Rock's Renaissance Man Returns With Cosmic Aural Travelogue
"A musician must make music, an artist must paint, a poet must write, if
he is to be ultimately at peace with himself. What a man can be, he
must be." (Abraham Maslow - Motivation And Personality - 1954)
Kip Winger's approach to composition is anachronistic; he takes years to
craft albums that make up in impact what they lack in frequency. His
expansive solo work has found favor with cognitive creatures, cultural
cognoscenti, melodic rockers, and metal merchants.
From The Moon To The Sun is Chapter Three in his odyssey of
self-exploration and spiritual growth. Through an alchemy of
songwriting, orchestration, and voices, Kip - with help from Turkish
artist/producer Cenk Eroglu - has once again created music that is
transcendent, otherworldly, and profoundly human.
The vitriolic verses of "Nothing" ("ain't no second coming, best to
close your eyes and keep on running") are offset by a thread of
optimism: "Looking for the strength when I'm weak / Looking for the
faith when I seek / Don't wanna be day after day just living my life for
nothing." A classical piece entitled "Ghosts" simultaneously unites and
divides the collection. Winger examines the lives of two lost souls in
"Runaway" and "California" - one is more tragic than the other. "What
We Are" boasts a Beatlesque arrangement and production.
As the disc winds down, Kip attains a breakthrough with only one word,
"Why":
"Only one life
One fight
Only one voice
In the distant night
If only one bridge
What's the sacrifice
Is forgiveness
Never knowing why"
Kip Winger is a modern-day bard, 12-string in hand, navigating the
perplexing landscape of existence. The sounds on this CD transported
him from Nashville to Istanbul, from the moon to the sun. Where will he
go next? That's anybody's guess.
http://myspace.com/kipwingermusic
Damien DeSimone
http://www.myspace.com/damiendesimone

July
22, 2008
Review by Enrico at AudioDrome.it
One
man’s bunch of brilliant individual musical reflections has never
deserved so much attention.
Kip Winger is that man. This artist has got such a creative and prolific
mind. He simply possesses one of the most powerful skills in writing
music and a perfect conception of what sound aestheticism concerning
hard rock is about. Unfortunately too many listeners will complain the
fact this work is pretty distant from the Winger stuff but to ignore the
beauty of this piece of Art is criminal. The suggestions and the
atmospheres of From The Moon To The Sun are as various and different as
the places where they were recorded, that’s to say Istanbul, Nashville,
Santa Fe and New York.
One thing sure I’ve captured from Kip’s latest work is the sense of
freedom and universality it delivers and this time both lyrically and
musically Kip Winger let his genius gape more than he has ever done in
the past. And the outcome is stunning.
I almost can say Turkish composer, guitarist, arranger and producer Cenk
Eroglu (who also contributed to Winger IV) has been the second author of
this ethereal album, where the music literally speaks every language and
where the level of the musicians involved is simply extraordinary: Alan
Pasqua, Andy Timmons, Ken Mary, Rod Morgenstein, etc.
Obviously I did use the word “ethereal” with the right purpose because
every song from this album flows wonderfully in the air and it manages
to take the listener by the hand beyond his ordinary imagination. Just
from the start the first two tracks, “Every Story Told” and “Nothing”,
really impress for the majestic and opulent symphonic arrangements, the
pure and clean production and the always very intense Kip’s voice. In
particular “Nothing” seems to be an out-take from Winger IV but its
sonic shape suits more perfectly the dimension of this solo effort.
Nevertheless its lyrics are some of the sharpest and most thoughtful
ever.
In many cases it’s clear how Kip was deeply touched by the collaboration
with Cenk Eroglu experienced at Cenk’s studios in Turkey but here the
horizons of suggestions overlap like the moon and the sun in the image
on the cover of the album. Also I must admit some of these tunes made me
think of another progish AOR genius, Jeff Cannata, whose “4:17
California” has just found the perfect peaceful antagonist in Kip’s
“California”. The main difference between Jeff’s and Kip’s progish
influences is that while the former is more stuck in the classic 70’s
heritage (Peter Gabriel, Marillion, Yes, Gentle Giant), maybe the latter
really tries to reach unexplored lands also through some more
technological, modern hints.
As sung in the Beatles-esque “What We Are” sometimes we should celebrate
the chance to change. Isn’t that right, Mr. Kip Winger?
A cura di:
Enrico Navella aka Henrykane
[enrico.navella@audiodrome.it]
http://www.audiodrome.it/modules.php?op=modload&name=News&file=article&sid=3673

July 6,
2008
Review of From the Moon to
the Sun by Rob
As I listened to the album From the Moon to the Sun, it reminded me of
the album Songs From the Ocean Floor in some respects. The songs on that
album wound their way through the darkest, saddest moods I’ve ever heard
in lyrics. For example, Only One Word was almost too sad to listen to.
If you’ve ever felt the kinds of feelings depicted in that song (haven’t
we all at some time or another?), it hits too close to home. But after
those feelings reached their high point in Broken Open, the songs
Resurrection and Everything You Need were incredibly uplifting. When I
listened to From the Moon to the Sun, I felt many of those same
uplifting feelings, right from the very first song. Kip explores some of
the same themes on FTMTTS, themes of pain, sadness, inner strength,
change, and redemption. But he takes on a lot of other themes, too.
Some different players make appearances on this album, notably Andy
Timmons on guitar. I’ve seen the guy shred like crazy before, but I
didn’t know he had such a bluesy, soulful side to his playing. To me,
his playing adds a lot to this album. And Cenk Eroglu’s additions give
the album an other-worldly, exotic feel. If not carefully done, the
East-West fusion could have flopped. But it doesn’t. It works and works
well.
I love all of the songs, but here are some comments on several of my
favorites….
Every Story Told. Kip’s voice sounds awesome on this song! But I
especially love the lyrics on the second verse:
And when you reach the edge
You fly to catch the wind
And breathe a deeper breath
You’re free to start again
You sense the innocence can lead you on
When I hear those words, they make me think of feeling physically
refreshed. But I think Kip is getting at a sense of renewal from inside
of oneself, as if making a new start in life.
But what really gets me are the backing vocals on the words “from the
moon to the sun______” on the second chorus. They are so lush and
densely harmonized that they shoot right to your soul! Amazing! The
first time I heard them, I just stopped the car and sat there in awe,
chills going up and down my spine.
On this album, Kip clearly decided to challenge his own vocal range more
than he did on his previous solo albums. The first sign of such a
challenge happens at the end of the song on the last chorus. The
sustained high notes on Every STORY____Told…bring the song to an amazing
climax. Also, during the last section of the song, we get to really
check out the guitar playing of Andy Timmons. He’s a great fit for the
music on this album. He demonstrates it immediately by playing a fast,
32nd-note riff that mimics some of the intense rhythms that happen in
the song’s introduction.
Nothing. I love the contrast between the raunchy, growling sound of the
verses and the smooth, catchy choruses. Even more, I love that on the
last verse, Kip manages to capture in the lyrics and in his voice a tone
that approaches desperation—very effective in getting across his central
point. And very cool!
In some ways, this song reminds me of my all-time favorite song lyrics,
the lyrics to Who’s the One. Kip seems to like challenging you to try
and figure out what you’re left with when the institutions, symbols,
ideas and people in which you’ve placed your faith are exposed. That is,
what happens when things are not what you once thought, what you always
believed? What happens when the illusions are stripped away? What do you
hold onto? Nothing? Well, of course not! Kip likes to delve into dark
moods and painful feeling states, but he never leaves you completely
bereft. He always offers an avenue of hope. Granted, it takes him a
while to give you some answers. I think he answers the question of on
whom (and on what) you can depend in the song Reason to Believe. He
gives you that song to remind you that you have strength within yourself
that you may not have realized.
Pages and Pages. This is my favorite song on the album. It doesn’t take
a shrink to know that a song is stirring something deep inside of you
when you can’t listen to it without your eyes welling up. I love the
lyrics, “Write down the words you keep written on the wall….” and
“Running through circles you’ve spun through the years….” I can relate
to those lyrics more than I really care to admit.
To me, a number of Kip’s songs ask how well you think you REALLY know
yourself. Also, he likes to suggest that you look deeper within yourself
to find answers about life. He reminds you that you may have to turn a
lot of “pages” before you can see things clearly, see them for what they
really are. What’s more, he forces you to acknowledge that what you need
to see, what you have to see, will sometimes only be found in the
“darkest” corners—the places you least want to look (Gee! Thanks a lot,
Kip! LOL!).
This song has one of my favorite vocal performances of anything Kip has
ever recorded. During the first verse, the high notes and falsetto voice
on the words, “you’re not asking why” and “what has your world become”
show a different quality to his voice than I can recall on any other
song. The way he sings those words is touching, heartbreaking…
beautiful!
In Your Eyes Another Life. All I can say, Kip, is bless your heart!
Everyone should have such a profound experience of love as that! Shew!
Why. This song is also my favorite. Yeah, I know I already named a
favorite. But I’m allowed to have two, am I not? The word that comes to
mind when I listen to this song is haunting. The orchestration,
instrumentation, and production are just awesome.
This song has the most intriguing vocal tracks on the whole album. On
the chorus, there’s kind of a call-and-answer thing going on. The sound
of the backing vocals (“One fight”…“In the distant night,” etc.) is just
amazing! I have never heard anything quite like it. The only thing those
vocal parts remind me of is the depth of voices in a Black spiritual
song.
Kip has commented that they utilized over 100 vocal parts on this song.
I’d give anything to have been a fly on the wall of the studio when they
recorded and mixed all those parts. I wonder how much of it Kip could
hear as he wrote the song, long before he ever produced it in the
studio. Could he hear it all in his head? Or did the production result
from one or more of those happy accidents that Kip believes are central
to the creative process?
Here’s my fantasy: I would love to see a big concert production of this
song with an orchestra and a huge chorus, with tons of deep-voiced men
singing the back-up parts. I’m sure it would sound like heaven opening
up from above! Well, a guy can always dream, can’t he?
Thanks for reading.
Rob (KipWinger.com Forum Member)

http://www.rockpages.gr/reviews/2008/KWinger-FromTheMoon-eng.htm
Each and every private Kip Winger job is a special case. The worldwide
success of Winger at the end of the 80s and the beginning of the 90s is
now past, no matter how good IV was 2 years ago or how pleasantly
nostalgic Demo Anthology was or how uplifting, delightful and of
expected quality Winger Live was just a while ago.
For the ones that followed Kip on his musical trip right after Winger
and were willing to dig deep into his personal lyrical ideology, this
trip was a totally pleasant one, twirling through pop/rock passages of
deep lyricism and musical quality of a higher level. The initial Kip
Winger’s works were not only creations of high aesthetics, but
furthermore, they were a pure specimen of musical genius at birth and of
an inspiration hard to find these days. And if Kip with the, targeted to
success, music of Winger became a rock star, with his personal works he
showed that a chart-star can cary with him so much quality that he can
create music to be considered classic in the future to come.
This Conversation Seems Like A Dream and Songs From the Ocean Floor may
protrude a different Kip both being artistic creations of a higher
level, however this From The Moon To The Sun, comes to complete this
high level to the highest degree, verifying the artistic individuality,
moreover Kip’s compositional ingenuity, certifying him, at no
exaggeration, to one of the most important American musicians of our
times.
Without a doubt, From the Moon To The Sun walks safely on the track
curved by the two previous albums and it utilizes all those
characteristics that lend value to them. Far from that, though, the new
characteristics that the musician grafts in are the ones that created an
album so distinct, so special and so personal that only Kip himself can
repeat. This is an album full of lyricism and melody, experimentation
and study, self awareness and introspection. An album full of private
sentiments that evolve into feelings, free to be shared among the
listeners through tracks deep in meanings and senses, in between private
moments all of the above rarely met in rock creations. This is where
Kip’s distinctiveness lies.
Kicking off with an exquisite, eastern oriented melody (Every Story
Told), stepping for a moment into his Winger memories to finally create
a composition that Steve Lukather would be envious of (Nothing) and
adoring the Beatles through a wonderful ballad that we will all hum for
months to come (Where Will You Go), he opens up a door to this musical
journey. Toying with ours and his senses, depositing a unique trilogy
that pushes lyricism into another dimension. Pages and Pages, an
ethereal, heaven-sent inspiration with an amazing outro that links to
the following Ghosts which brings a new aspect of what can be included
in a rock album (written for an orchestra of strings with piano and
harp). In Your Eyes Another Life, inspired by his special relationship
with his wife Paula, a track with a totalitarian spiritual lucidity, so
personal… With the remaining tracks bonding into a delightful total,
more or less staying true to the same motif, orchestrated masterfully,
the album concludes with the excellent Monster (out of the TCSLAD album)
in an alternative mix.
A truly inspired, blessed album, consciously targeted to the fans of
real good music and not targeted to the absolute sales numbers, this
latest Kip Winger’s work is , by far, his best so far. And if Kip
decides, once more, to leave his hair Metal days behind, he does so
because he feels the artistic urge to do so. He blends his influences,
his feelings and his life experiences and creates a masterpiece that
will carry all the stuff great musicians are made off. Most probably, he
will witness medium sales and he will see this album reaching the hands
of a selected conscious few or maybe even some curious ones. However,
believe me, this will make him more than happy.
On May the 9th, take a stroll through the aisles of your local record
shop, buy this album and feel gracious, for Kip allows us to hop on his
marvelous trip to the Sun.
Alex Politis

From RockReport.de
Note: this is a guest review from Steven "darkblue" Reid
Well, I've had the album for a couple of days now and even though my
hopes and expectations were sky high, they have been exceeded. All of
Kip's solo albums are phenomenal, and “From The Moon To The Sun” is no
exception. The majority of the tracks have a similar feel to the last
album “Songs From The Ocean Floor”, maintaining Kip's awesome melodies,
whilst also challenging the listener as he takes you through a mixture
of styles and cultures.
Opener “Every Story Told” sets the album up brilliantly with great,
strong melodies and superbly produced vocals. As with most of the
chorus's on the album, its sound is just huge, and played at volume, it
feels massive. Other songs such as “Nothing” or “Pages And Pages” also
have chorus's to lose yourself in. There are also songs like
“California” and “Why”, which feel more like Kip's acoustic releases:
very lyric driven and understated.
Throughout the album the level of musicianship is outstanding, with all
the usual suspects: Kip (obviously), Andy Timmons, Ken Rose, Alan Pasqua,
Ken Mary and Rod Morgenstein not only playing superbly, but always
sounding like they really believe in the music. Special mention goes to
Cenk Eroglu, who plays and programs a multitude of instruments across
the whole album. His and Kip's production is absolutely spot on.
Sonically this album is up there with the best. And let’s not forget
that Eroglu also co-wrote some of the tracks.
As always with anything that Kip Winger does these days, there are
plenty of curve balls thrown in there and he constantly challenges you
to pay attention and keep up with what is going on, whether it's a
middle eastern chant, a sax break or an off kilter piano chord. “What We
Are” comes on like the Beatles circa “The Magical Mystery Tour”, or “The
White Album”, even having ‘string’ breaks and offers a more upbeat feel
than most of the album. The track that most people here (and elsewhere)
will have most issue with though is “Ghosts”. Kip described it as
starting out as an exercise he was given whilst studying music. What is
has ended as is a haunting (hence the title?) film score like, dark and
stark piece of music, and the only song which is is devoid of strong
melody for long passages. It is violin and piano led - and as I've read
elsewhere - could easily have been written for film noire. I have had to
persevere with the song to find its merits, and after deciding to listen
to it in isolation from the rest of the album, I love it. Be warned
though, it's not even vaguely rock music, and maybe doesn't belong on
the album, or should have been a bonus track. And speaking of bonus
tracks, we get a fantastic remix of “Monster” from Kip's debut solo
album “Thisconversionseemslikeadream”, and whilst not quite bettering
the original, it is a nice alternative to it.
“From The Moon To The Sun” will not excite everyone here, and in fact
I'm sure some will be thoroughly ‘lost’ by its appeal to me. However if
you like music with lush melodies, thoughtful heartfelt lyrics,
challenging intricate passages and awesome vocals, then you won't hear a
better album this year or maybe longer. Album of the year? At this stage
no doubt whatsoever! Simply stunning!

http://metal-guide.blogspot.com/2008/06/kip-winger-from-moon-to-sun.html
This is the new solo album of Kip WInger, but if you are not familiar
with his previous solo releases, don't expect something familiar with
the work of Winger back in the early 90's. Laid back and melodic, with
music complex but easy to comprehend, music for more relaxed times, but
music that is always well worked and refined to the last minute. From
prog moments, to melodic acoustic times, the artist blends all his
previous influences, into an album that's hard to categorize, but
there's no need to do so. What's more mind-challenging, is the ability
of the music, to implement various elements, and keep the interest of
the listener high. Either this is an instrumental song, a piano part, a
Middle East melody, or some violins and pianos along in a more classic
music approach. Diversity finds a whole new meaning here, but all this
is done fluently, and not for the sake of complexity. Maybe an album
that many metalheads will pass by, but yet an album that will make you
think, and evolve along with each listening. Maybe after the last note,
a standing ovation would be the most appropriate thing to do.
9/10

http://www.melodic.net/reviewsOne.asp?revnr=6693
Kip Winger is more than just a musician or a songwriter, he's an artist
- there's more to his music than a simple melody or a few words that
sound good.
There's thought behind every chord, arrangement and word - he's like a
modern classical composer but in the genre of progressive rock.
If I close my eyes and listen to these songs, it's like watching a movie
- there are so many pictures floating by in my head while listening to
"From the moon to the sun".
With this in my mind, I also believe that Kip is easily a misunderstood
artist where some people might expect the MTV hits his band had in the
early 90's.
Nothing could be more wrong, why should Kip stand on the same spot
writing "Can't get enuff" for the 50th time?
He wants to develop as a musician and therefor has taken a step into new
territories soundwise like a fresh breeze of the orient as well as
classical pieces.
The new solo album is a new chapter in Kip's career, it sounds a bit
different than the previous 2 albums but also in the same time a bit
like them.
There are plenty of surprises along the way on this 1 hour long album, I
get new favorites all the time.
A masterpiece if you ask me.

http://www.hardrockhouse.com/NewReleases/KipWinger.htm
Kip Winger, like him or loath him, is one very talented individual and
with this, his third solo and the first since Songs From The Ocean Floor
back in 2001, that talent is obvious for all to hear. Anybody however
expecting the huge choruses and the chant along nature of the albums
from the band Winger will be equally as surprised if they are coming to
Kip’s solo work for the first time. And I quote from an with Kip from
last year….
Both 'This Conversation' and its follow up 'Songs From The Ocean Floor'
were real departures from the Winger sound, was this deliberate or just
Kip Winger showing his own style?
KW - My personal musical journey is much different then the band
experience. My personal goals are to push the limits of my musical
knowledge and abilities. I hate to repeat myself, there is no art in
that. I have a world of sound images in my soul and they can’t be
limited to one style of music.... If I forgo the commerce of it all, I
can be true and pure to the soul of music within me, which in my case
isn't very normal. For better of for worse my brain works like a
Classical composer, I'm not much of a jammer. I actually write out much
of what I'm doing on paper. The ideas tell me what they want to be, I'll
work an idea until it sits perfectly in my chest...then I'll know I've
brought it all the way it wants to come.
Well very much true to the ethos of that conversation From The Moon To
The Sun sees Winger (the man) varying his output on the new album from
the classical (Ghosts) to his take on material that originally appeared
on the excellent Xcarnation album. As a body of work From The Moon To
The Sun is simply a collection of excellent music, not rock, not pop
just good music.
I’ve played the album constantly since the promo arrived and it grows on
the listener more with each and every play, the whole album is worth
listening to repeatedly to catch all of the subtleties and nuances
Winger has imbibed the songs with. Overall the whole album has a slight
Beatles feel to it, but in a good way, a feel that works particularly
well on the acoustic driven Runaway, but singling one song out from such
an excellent collection is perhaps unfair. Much fairer to say that From
The Moon To The Sun is Winger’s best solo album to date.

From CDInzane
KIP WINGER - "FROM THE MOON TO THE SUN +1 (2008)"
KILLER KILLER KILLER MELODIC NEW RELEASE FROM THE WINGER FRONT-MAN!!!
WITH EVERY RELEASE KIP PUTS OUT, THERE IS JUST NOTHING MORE PLEASING
THEN THE FLOW HE CREATES IN HIS WRITTINGS!!!

From PTRiff
Kip Winger
FROM THE MOON TO THE SUN
Frontiers Records
Reb Beach told me recently that Kip Winger's best asset these days was
his ability to compose rather than simply write, and never has that been
more true than on FROM THE MOON TO THE SUN.
The fact of the matter is that this album, while a stark contrast from
what people are expecting, might just be the most brillant album that
Kip Winger has ever appeared on. It's bound to be smashed by rock
journalists that can't see beyond the MTV videos of 20 years ago, but
that doesn't stop this from being the best musical and lyrical
experience of Kip's recorded career. Songs like "Pages And Pages" sound
like what you might get if storyteller Harry Chapin had done a righting
session with Bruce Springsteen around the same time he was writing
"Meeting Across The River" from BORN TO RUN. Other songs, like "Ghosts"
sound more like something you would hear as the backdrop of a play in an
old Italian village than anything you've ever known Kip for in the past.
"In Your Eyes Another Life" again sounds more like something out of a
rock opera than a contemporary album, but it works as well.
While a lot of this material is very different for Winger, there are a
couple of songs that are somewhat cut from the old vein. Songs like the
album opener "Every Story Told" features more traditional rock elements
and harken back to songs like Winger's "The Rainbow And The Rose".
For his part, Kip Winger sounds great on this album. His voice sounds
the same as it ever did. Even after all these years, Winger knows when
to put a touch of snarl on his otherwise clean vocals. He certainly does
it well here. Songs like "Nothing" open with a lot of weird Arab
nonsense to set the mood, but quickly turn back into a more traditional
Winger presentation. This song also features some pretty ambitious use
of double speak in it's comparisons, which does make you think about
what's being said here.
PTRIFF RATING - 8/10 - This is a damn good album.......The writing and
the orchestration of this material is unlike anything you've heard in a
long time.

From Get Ready To Rock
KIP WINGER From The Moon To The Sun Frontiers (2008)
Kip Winger is a legend in the melodic rock scene and despite his busy
commitments to a reunited Winger, the man has found time to make a new
solo album - his first since 2000's 'Songs From The Ocean Floor.'
'From The Moon To The Sun' is what we've come to expect from such a
great talent. Perhaps it's too mid-paced-songs-and-ballads for many rock
fans but the heavier tunes are instantly catchy.
The opening track 'Every Story Told' is a wonderful acoustic led ballad.
Winger's voice is still a joy to listen too and only proves that he is
one of the scene's best singers. The production is top class and
perfectly enhances the enjoyable melodies that are on offer here.

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